Yesterday morning we woke up to confirmation of a new reality. Half of the British public had announced their isolationist views, fuelled by a deep-seated hatred for immigrants and their fear of a brown planet. Elderly white British people voted against their children and grandchildren’s interests, refusing them the opportunity to live, love and work in 27 other countries, for the sole purpose of ideologically ‘taking their country back’, although who exactly had taken it from them was a question that went unanswered. Fascist, sexist skinheads emerged from their lairs wearing Vote Leave t-shirts, carrying St George’s flags, well chuffed with what they saw as a victory for their own. The EU referendum results have given them the encouragement and ego boost they needed to posture and crow more than ever before in recent memory. This is supported by the approval they have received from the extreme right across Europe, from the Greek Golden Dawn to the Dutch Party for Freedom and French National Front calling for similar referenda for their own countries. The tension produced by this energy is leading to even more harassment and negative actions against already marginalised people, which are being well documented on social media (see below). And yet, it is very unlikely that any of those who voted to Leave would have known to point to neoliberalism as the true source of their woes, nor would they have seen the irony in the country that colonised half of the world cannibalizing itself due to fears of immigration.
We at Sisters of Resistance are opposed to ignorance in all its forms, yet we call attention to the fact that it is not always the ignorant who are fully to blame for the states of affairs that they may unwittingly enact. We note that from the Brexiters’ perspective, a vote to leave the EU must seem a rational response to the lies, Islamophobic hatred, and purposeful misinformation spread by the Leave campaign, combined with the general untrustworthiness of the elitist Tory government with David Cameron at the helm, and the City, banks and big business urging people to Remain. We also note that the many lies told fell on fertile ground because of the conditions of social inequality wracked by decades of neoliberalism and a half decade of austerity. Moreover, we call attention to the similarities between the social conditions of the populist movements in the US that are buoying Donald Trump and those in England which set the groundwork for the tragedy that is Brexit.
Like the rest of the world, we do not know what will happen next. We hold our breath in anxious and fearful anticipation of a domino effect that has the power to undo the past 70 years of peace in Europe and cause lasting chaos in the global economy. But unlike half of Britain, we are willing to learn from history to avoid at all costs the onset of fascist ideals that creep into mainstream society stealthily, in the guise of nationalist pride. There is no room for nationalism in a global society. In the face of socio-economic, environmental, and political crises like those never before seen, we need each other more than ever, now.
A collection of news items that have made us angry, made us sad, astounded us, and/or ignited our revolutionary fire lately [trigger warnings for sexual assault, murder and violence against women, reproductive and police injustice].
RIP Leonard Nimoy. Thanks for inspiring us even us mixed kids to live long and prosper.
It seems that Spock and his mixed-species brethren and sistren haven’t served as multiracial muses only to me and fellow NOCClaire. Even during the last year of its original television run, just a year after the landmark Loving v. Virginia Supreme Court case legalized all interracial marriage across the United States, Vulcan/human hybrid Spock spoke so much to a biracial black/white teenager in Los Angeles that she wrote to him, via a teen magazine, for advice, so moving that actor Leonard Nimoy wrote her back with a message of self-acceptance.
With Star Trek Week on The Nerds of Color coming to an end after an amazing week of posts both celebratory, critical, and somewhere in between, I wanted to introduce you to two artists of multiracial heritage who use Spock as a way to explore mixed-race identity in their work.
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Guest Post by Jonathan Scott Chee
Looking through the nominations for this year’s Oscars, you’d be forgiven for thinking Hollywood had outsourced the entire American film industry to some parallel universe, populated almost entirely by white men.
The Oscars have long been a biting reminder of just how ubiquitously white the film industry truly is, but is the Academy itself purposefully excluding non-white artists, or are they simply taking their pick from an already white-dominated industry?
Analysis of the top grossing films of 2014 paints a troubling picture of exclusion and underrepresentation. People of colour and women make up a woefully small percentage of the principal cast, and behind the cameras white men also make up the vast majority of directors and screenwriters.
As alarming as the statistics in the infographic may be, they fail to tackle an important, yet subtle, element of the structural inequality within the film industry: the kind of roles minority actors and women get. While people of colour may only make up 16% of the total cast of 2014’s biggest blockbusters, they end up playing similar characters time and again: the sassy black sidekick, the tough-yet-warm-hearted convict, the swag drug dealer, the goofy immigrant with a hilariously poor grasp of the English language, the math nerd virgin – these are the roles our minority ethnic actors are relegated to, rarely getting to tackle a role with real depth and therefore rarely getting the opportunity to showcase their talents.
For women, too, the story is much the same – a blockbuster film led by a female protagonist is still very much an anomaly in movie theatres. Worryingly, the industry seems to be becoming even more exclusionary over time, with fewer women than ever involved both in front of, and behind, the camera.
For women of colour, the outlook gets even bleaker as they made up just 3% of all the speaking roles in 2014’s biggest blockbusters. Once again, this statistic doesn’t quite paint the full picture, as that 3% is overwhelmingly made up of black, or mixed race black/white women. If you are an East Asian woman, roles outside of the sultry, accented “dragon lady” or “comedy immigrant” are practically non-existent. South Asian actresses hunting for work in Hollywood may as well be hunting unicorns.
The effects of Hollywood white-washing go far beyond out of work actors, however. As people of colour, our children grow up in an environment where they see no reflection of themselves in mainstream culture. Personally, I don’t want my children to grow up in a society where the only representation of themselves they see on screen are as nerds, sultry objects of white male fetishism or kung-fu geniuses, because as much as art may attempt to represent reality, conversely, it’s clear that it works to shape perceptions of it as well.