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Brexit: The Aftermath

26 Jun

Yesterday morning we woke up to confirmation of a new reality. Half of the British public had announced their isolationist views, fuelled by a deep-seated hatred for immigrants and their fear of a brown planet. Elderly white British people voted against their children and grandchildren’s interests, refusing them the opportunity to live, love and work in 27 other countries, for the sole purpose of ideologically ‘taking their country back’, although who exactly had taken it from them was a question that went unanswered. Fascist, sexist skinheads emerged from their lairs wearing Vote Leave t-shirts, carrying St George’s flags, well chuffed with what they saw as a victory for their own. The EU referendum  results have given them the encouragement and ego boost they needed to posture and crow more than ever before in recent memory. This is supported by the approval they have received from the extreme right across Europe, from the Greek Golden Dawn to the Dutch Party for Freedom and French National Front calling for similar referenda for their own countries. The tension produced by this energy is leading to even more harassment and negative actions against already marginalised people, which are being well documented on social media (see below). And yet, it is very unlikely that any of those who voted to Leave would have known to point to neoliberalism as the true source of their woes, nor would they have seen the irony in the country that colonised half of the world cannibalizing itself due to fears of immigration.

We at Sisters of Resistance are opposed to ignorance in all its forms, yet we call attention to the fact that it is not always the ignorant who are fully to blame for the states of affairs that they may unwittingly enact. We note that from the Brexiters’ perspective, a vote to leave the EU must seem a rational response to the lies, Islamophobic hatred, and purposeful misinformation spread by the Leave campaign, combined with the general untrustworthiness of the elitist Tory government with David Cameron at the helm, and the City, banks and big business urging people to Remain. We also note that the many lies told fell on fertile ground because of the conditions of social inequality wracked by decades of neoliberalism and a half decade of austerity. Moreover, we call attention to the similarities between the social conditions of the populist movements in the US that are buoying Donald Trump and those in England which set the groundwork for the tragedy that is Brexit.

Like the rest of the world, we do not know what will happen next. We hold our breath in anxious and fearful anticipation of a domino effect that has the power to undo the past 70 years of peace in Europe and cause lasting chaos in the global economy. But unlike half of Britain, we are willing to learn from history to avoid at all costs the onset of fascist ideals that creep into mainstream society stealthily, in the guise of nationalist pride. There is no room for nationalism in a global society. In the face of socio-economic, environmental, and political crises like those never before seen, we need each other more than ever, now.

Revolutionary News Roundup

19 May

A collection of news items that have made us angry, made us sad, astounded us, and/or ignited our revolutionary fire lately [trigger warnings for sexual assault, murder and violence against women, reproductive and police injustice].

  1. Purvi Patel, who says she miscarried, gets 20 years in prison for feticide [Filed under: reproductive injustice, misogyny, patriarchy, intersectionality]
  2. Mary Jane Veloso Spared in 11th Hour in Indonesia [Filed under: poverty, imperialism, Third World women]
  3. Mumia Abu-Jamal medical emergency [Filed under: political imprisonment, silencing, state violence]
  4. 72 killed in Philippines slipper factory fire [Filed under: poverty, Third World Women, inhumane working conditions, unabated capitalism]
  5. Biker gangs have major shootout, murdering 9 – National Guard not called in, no one is killed by the police or called a thug by the media [Filed under: white privilege, violence in America, gangsters, thugs]
  6. Baltimore State’s Attorney charges 6 police officers in murder of Freddie Gray; lawyers file motions to dismiss all charges [Filed under: systemic racism, police unaccountability]
  7. 20 year old gay feminist activist murdered after resistance to on-campus sexism and misogyny led to suspension of rugby team [Filed under: rape culture, misogyny, youth culture, MRAs, LGBT issues, violence in America, violence against women]
  8. Transgender woman London Chanel murdered in Philadelphia and Remembering Us When We’re Gone, Ignoring Us While We’re Here: Trans Women Deserve More (late but highly relevant post) [Filed under: trans women of colour, violence against women, transmisogyny, LGBT issues]
  9. Nicki Minaj and Beyonce release new video for ‘Feelin Myself’  [Filed under: carefree Black girls, flawless, problematic faves]
  10. Global inequality is so bad it’s almost impossible to visualise it [Filed under: poverty, wealth, 1%, globalization, unabated capitalism]
  11. ‘sHell no!’ Seattle kayaktivist fleet protests Arctic drilling [Filed under: activism, protest, ecofeminism, wealth, 1%, globalization, unabated capitalism, resistance]

Spock as Interplanetary Mixed-Race Muse

27 Feb Featured Image -- 2217

RIP Leonard Nimoy. Thanks for inspiring us even us mixed kids to live long and prosper.

thenerdsofcolor

It seems that Spock and his mixed-species brethren and sistren haven’t served as multiracial muses only to me and fellow NOCClaire.  Even during the last year of its original television run, just a year after the landmark Loving v. Virginia Supreme Court case legalized all interracial marriage across the United States, Vulcan/human hybrid Spock spoke so much to a biracial black/white teenager in Los Angeles that she wrote to him, via a teen magazine, for advice, so moving that actor Leonard Nimoy wrote her back with a message of self-acceptance.

With Star Trek Week on The Nerds of Color coming to an end after an amazing week of posts both celebratory, critical, and somewhere in between, I wanted to introduce you to two artists of multiracial heritage who use Spock as a way to explore mixed-race identity in their work.

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Commentary on the Oscars: Diversity in Film 2014

23 Feb

Guest Post by Jonathan Scott Chee

Looking through the nominations for this year’s Oscars, you’d be forgiven for thinking Hollywood had outsourced the entire American film industry to some parallel universe, populated almost entirely by white men.

The Oscars have long been a biting reminder of just how ubiquitously white the film industry truly is, but is the Academy itself purposefully excluding non-white artists, or are they simply taking their pick from an already white-dominated industry?

Analysis of the top grossing films of 2014 paints a troubling picture of exclusion and underrepresentation. People of colour and women make up a woefully small percentage of the principal cast, and behind the cameras white men also make up the vast majority of directors and screenwriters.
diversity_in_film_2014__does_art_Really_imitate_life

As alarming as the statistics in the infographic may be, they fail to tackle an important, yet subtle, element of the structural inequality within the film industry: the kind of roles minority actors and women get. While people of colour may only make up 16% of the total cast of 2014’s biggest blockbusters, they end up playing similar characters time and again: the sassy black sidekick, the tough-yet-warm-hearted convict, the swag drug dealer, the goofy immigrant with a hilariously poor grasp of the English language, the math nerd virgin – these are the roles our minority ethnic actors are relegated to, rarely getting to tackle a role with real depth and therefore rarely getting the opportunity to showcase their talents.

For women, too, the story is much the same – a blockbuster film led by a female protagonist is still very much an anomaly in movie theatres. Worryingly, the industry seems to be becoming even more exclusionary over time, with fewer women than ever involved both in front of, and behind, the camera.

For women of colour, the outlook gets even bleaker as they made up just 3% of all the speaking roles in 2014’s biggest blockbusters. Once again, this statistic doesn’t quite paint the full picture, as that 3% is overwhelmingly made up of black, or mixed race black/white women. If you are an East Asian woman, roles outside of the sultry, accented “dragon lady” or “comedy immigrant” are practically non-existent. South Asian actresses hunting for work in Hollywood may as well be hunting unicorns.

The effects of Hollywood white-washing go far beyond out of work actors, however. As people of colour, our children grow up in an environment where they see no reflection of themselves in mainstream culture. Personally, I don’t want my children to grow up in a society where the only representation of themselves they see on screen are as nerds, sultry objects of white male fetishism or kung-fu geniuses, because as much as art may attempt to represent reality, conversely, it’s clear that it works to shape perceptions of it as well.

In Solidarity With #ThisTweetCalledMyBack

18 Dec

Last week, a collective of the seven of the most incisive and insightful feminist/womanist social and cultural critics working in contemporary digital media, who are Black Women, AfroIndigenous and women of color, began a social media blackout. Over the past five years, across various social media platforms, they have created what they describe as “an entire framework with which to understand gender violence and racial hierarchy in a global and U.S. context“, one which is deeply analytical and highly critical of mainstream feminism and heteropatriarchy, as well as cishet activist movements. We at Sisters of Resistance have often engaged with, been challenged by, and learned from them and their work.

And yet, as they explain, far from being celebrated and embraced for the enormity of the work and contributions they have made to 4th wave and digital feminism, their body of work has been colonized, plagiarized by mainstream white feminism and mainstream media while they themselves have been vilified, said to constitute ‘Toxic Twitter”, had their livelihoods threatened and their physical and mental welfare put at stake. Rejected, harassed and provoked by people in mainstream media, academia, and the non-profit industrial complex, who at the same time hijack their prolific and movement-inspiring thought and theory, this collective of women is taking a stand against the status quo with this statement and their conspicuous absence from Twitter.

Here are some of the questions that they ask:

In an age where young women often have cell phones with internet access before they have access to healthcare and social services, why are so many so quick to demean the work of digital feminism in the hands of Black women? When depression, anxiety and disability make it so that getting out of bed, much less into the streets, is a debilitating challenge and risk, why do we demean social media and tell people they cant fully engage without taking up physical space? Whose interests are we centering if we constantly hyperfocus on the limits of grassroots social media, instead of the impact and possibilities, while not making the physical spaces safe or accessible for these women?

They point out that an expanded understanding of violence is necessary to address the kinds of issues they and many others like them/us face and experience, even within “leftist” and “activist” circles:

Once we expand our understanding of violence to include plagiarism, harassment, gaslighting, emotional abuse, ableism and exploitation of labor, we find huge fissures in a movement that the women we are prescribing solutions for fall through on a daily basis. We find a replicated system of violence that prioritizes those closer to systemic and hierarchal values of bodies rather than anti-violence.

They challenge those who will listen to consider the following questions, which are incredibly necessary for our time:

“How do we, as a movement, engage unaffiliated women with no institutional covering or backing, on the grassroots level? How do we close ranks around these women in both digital and physical spaces so that they can continue this work? There is a refusal to legitimize the words of women of color without the backing of academia, established media, and non-profit monikers. How do we then legitimize the lens with which marginalized women of color view their lives and the spaces where they are actually allowed to assert their agency?

The collective includes: @tgirlinterruptd, @chiefelk, @bad_dominicana, @aurabogado, @so_treu, @blackamazon, @thetrudz

Those who have signed in solidarity include: @blackgirldanger, @cheuya, @notallthots, @jazzagold, @natashavianna, @mizzblossom, @sarahkendzior, @scATX, @lilybolourian.

At the same time, we wish to call to mind @redlightvoices, who we believe has been very much a part of this same wave of work, and who expressed many of the same sentiments during the time that she was still on Twitter.

We have so much respect for all of these women. We offer them our solidarity and support in their decision to step out of the Twitterverse and assert their humanity in the face of such despicable systemic discrimination and harassment. We stand with you! #ThisTweetCalledMyBack

READ THEIR FULL STATEMENT HERE.

Individual personal statements are also being posted here.

Read more about the groundbreaking work by radical women of color, This Bridge Called My Back, the 1981 anthology, to which the conversation #ThisTweetCalledMyBack refers.